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Fields
of application
Stressing
the limit of sound perception.
Sonic boundaries of sound and music recognition.
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Hyper
Classicism.
Transfiguration of pre-exiting
music bodies.
How to electro-re-write classical music.
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State
of immersion
Naturalization of music.
Multichanneling. Selfdesigned speakers,sound objects and sounding spaces.
Interacting with and composing in a natural amplified environments
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Performative
projects.
Theater, Radio,Concerts.
Timet Live presentations:Timet faces performative
environments.
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Sonic
architecture.
Support to visionary sound architecture and living purpose architecture.
Hints of a symbolic architecture.
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Metalanguages
and Nonlinearity.
Timet’s experiences in metacomposition and nonlinearity.
Nonlinear Concerts and analysis.
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Open
database.
(Multiple access to) A dynamic sound storage process.
Construction of a music DATABASE: given complexity and availability.
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Video
experiences and documentarism.
Sampling realities.
Towards a visual and sonic social thought.
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Timet
Pre-conditions.
Info-structure
Timet is the story of the creation of
a symbolic system. After 10 years
of research and experimentations, we can begin to outline
the elements of
an aesthetic and conceptual extension, which follow and
introduce all the
works of the group.
Our History is mainly a music history. In the last years
we have been applying our methods to any
symbolic language, chasing a multi-linguistic artwork
we are still building up.
Methodology.
- Art of Data Transfiguration.
.Digital editing as Art of Data Transfiguration; our
operating tools are analogue and digital data
processing and design.
.Generating complex materials re-editable for multiple
relationships. Inside and outside Timet.
Complex means the hybrid dimension of a music aggregate,
constituted by electro-edited data and natural sources
(like
acoustic musician’s interpretations): complex materials
and the single note belong to the same potential and
common world of
sonic experience.
.Editing, processing and inter-mixing imply that any
compositional identity is a dynamic, multiply
referenced and nonlinear status.
.we are building a symbolic open database, where all
the data are available for multiple and nonlinear compositions:
To free compositions and their sources is a methodological
and ethic decision, in order to increase an active, critical,
interrelated and extended idea of symbolic systems.
Comprehension through editing: acting in a dynamic and
editable symbolic world.
To Use: free re-contextualization of any music reference.
To refer: pointing out relevancies and analytic links
to pure and elementary sources.
People networking
From sound design and music composition to sound gardening
and digital architecture. Timet is open
to different collaborations and linguistic perspectives.
Infrastructure
and technology
.Pro Tools -
Context of sound editing and composition
.Kyma - Context of
sound processing
.MaxMSP - Context
of real-time control network and sound processing
.Flash - Context of real-time and off-line
graphic editing
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